What is a thriller?
“The thriller is a very difficult genre to pin down because it covers such a wide range of films. Thrillers are films of suspense...that are suppose to instil terror into the audience” – Susan Hayward Key Concepts in Film Studies.
Examples of thrillers:
Psycho
North by Northwest
Point Break
Manchurian Candidate
Paranormal Activity
127 Hours
The Birds
Mission Impossible
Buried
Source Code
Tinker Tailor Solider Spy
V for Vendetta
Phone Booth
Hide and Seek
Panic Room
Girl with the Dragon Tattoo
Seven
Types of thrillers
Type of Thriller | Examples |
Spy Thrillers | Tinker Tailor Solider Spy, Mission Impossible |
Political Thrillers | Manchurian Candidate |
Conspiracy Thrillers | State of Play, S.A.L.T |
Legal Thrillers | Rainmaker, Time to Kill |
Psychological Thrillers | Psycho, Seven, Birds |
Aspects of thrillers
“When you enjoy something, you must never let logic get too much in the way. Like the villains in all the James Bond movies. Whenever Bond breaks into the complex: ‘Ahh, Mr Bond, welcome, come in. Let me show you my entire evil plan and then put you in a death machine that doesn’t work’.” – Jerry Seinfeld (SeinLanguage 1993)
Conventions
Most agree that there are certain ‘conventions’ that mainstream films observe in order for them to be acceptable to the mass audience. But sometimes creativity doesn't come from following the rules sometimes rules are put into place to be broken.
Examples:
Mysterious phone calls with no one on the other end of the line
Guns/ weapons
Sophisticated villains
A character always investigates a strange noise only to end up being killed
A young naive protagonist
Resourceful protagonist e.g. James Bond
Suspense
Hi-Tech gadgets e.g. James Bond and Mission Impossible
Fast pace actions scenes
A Flashback of a past memory
Protagonist usually succeeds and wins
Can’t kill children
Protagonist falls in love
A mystery that needs to be solved (enigma)
A curious character
A double agent/ false hero e.g. James Bond
Reason for conflict
MacGuffin
The Antagonist is always more powerful, at the beginning of a film, than the hero
Antagonist usually wealthy
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